One Piece Episode 637
Blissfully unspoilered One Piece noob takes the plunge and wades through the eight-hundred plus episodes of One Piece for the first time.POSTS: Monday, Thursday, Saturday. TWITTER: @thdray1 Will answer questions there too.DISCUSSION: If you want to join in the One Piece chat, I've set replies to week-long followers only (as spoiler protection). Reblogs work, though, so I'll answer from those too.
One Piece Episode 637
This week we're joined by BEN LOMAS and SAM TAUNTON! Taunts is making his debut on the podcast mere hours after being announced as one of the new hosts of The Project so we help him cook up some potential new segment ideas. Tommy's had a rough time at a music festival that he attended with a show business legend, Karl's had another unbelievable name on the door at his comedy club, but honestly, who cares about any of that - because we also accidentally unearth an old piece of Ben Lomas trivia that turns out to be one of the greatest repressed memories of all time!
Tim Ferriss: I want to ask a few follow up questions about conceptual frameworks and perhaps just request an example of what such a conceptual framework might look like, for people listening and for me, frankly. But before we get to that, putting together a blog post or an article that chronicles your search for answers or exploration of these open questions is quite an undertaking. Reviewing calendars from 1983 and so on, I would imagine requires a good amount of time. Why do you do it? Or is it the reward in the process of writing? Is it something gratifying in the process of writing? Are you hoping to impart something to those who read this piece? Why do that?
The Tim Ferriss Show is one of the most popular podcasts in the world with more than 900 million downloads. It has been selected for "Best of Apple Podcasts" three times, it is often the #1 interview podcast across all of Apple Podcasts, and it's been ranked #1 out of 400,000+ podcasts on many occasions. To listen to any of the past episodes for free, check out this page.
David:It was a two-hour monologue where you were just forced to listen, just like the Seeing Greene episodes that I make you show up and listen to me and praise me without actually allowing you to speak.
Alex Ferrari 0:14This episode is brought to you by the best selling book Rise of the Filmtrepreneur how to turn your independent film into a money making business. Learn more at filmbizbook.com. I'd like to welcome to the show, Erik Messerschmidt. Did I get it right, sir?
Erik Messerschmidt 50:00that with it. Right. Right. Right. Right. Right. Yeah. You know, I mean, it's like, yeah, you know, it's I mean, if you're going to run with the allow me to run with that analogy a little bit, it's like if you know, for playing jazz, then then then in that, you know, in those situations, I'm really just trying to make sure everybody's in tune. Oh, great. And you just want to make sure that we're just trying to, like, you know, it's like, okay, I get it. Now we're gonna go, Oh, we're going to do alright, cool, let's play Dr. Lewis around your little sharp, you know, like, let's just like just sort of attenuated a little bit. Enough. You know, and, you know, that's, that's a wonderful thing about this job is, is watching how people make movies and learning how they're different types of movies, you know, different ways to make movies. You know, and also learning about the kinds of movies that you want to make, you know, I mean, it's like, every time I finish a film, I think about the types of collaborators I'm going to seek out to, you know, and the types of work I'm interested in doing the things I'm less interested in doing. And, you know, I'm definitely someone you know, I quite like the kind of surgical type of filmmaking I like, puzzle pieces of figuring out how to, you know, you know, I, you know, Hitchcock is like, machine and filmmaker, you know, this sort of, like the puzzle of, of, you know, show the person seeing something and show the audience what they see, you know, even the, you know, it's a vast simplification of it, but um, you know, thinking about how to break a scene down into its bare bones and tell the story that way is is, is the type of filmmaking at the moment anyway, that I'm interested in. But you got some notes like,
Alex Ferrari 51:51you got some good collaborators, that kind of, I mean, David, for me to to talk about puzzle piece directors. He is he's definitely that guy. And Michael, exactly the same. I mean, but David, specifically, like he is looking, not to blow smoke up David's ask, but he is our Hitchcock. He is our Kubrick, they will never be anyone like Kubrick or Hitchcock. But in our generation, there's very few filmmakers who are surgical as him. And then Michael has his, there's never going to be another Michael Mann. And people will be studying Michael Mann's movies, in film schools 100 years from now. And same thing with David, you know, and same thing with Tarantino and Nolan, and, and some of these other greats, there's a handful, that are our generations, Hitchcock's and our generations, Kubrick's that you just you sit back and you get you're lucky enough to get to work with with some of these guys, man. I mean, you must smile every day going to work, I imagine most days.
Alex Ferrari 57:21Now, you brought up the version, which is your new movie, which another small, independent film you've been doing. Can you tell everybody a little bit about the movie? And I mean, it looks gorgeous, man. I saw the trailer for it. It absolutely looks stunning. Again, you get into play with some beautiful toys in a vintage piece. I mean, you really get to have some fun, man, you're having some fun with some nice toys. I know you. I know. You had to suffer in Italy, with Michael Mann on the latest film. I'm sure the food was horrible. The weather was bad. I mean, you're you're you live in a tough life, sir. But But devotion tell me about devotion. 041b061a72